And yet, within those limitations and tropes, director Aditya Chopra tweaked, moulded, bent, and busted stereotypes in his own way.Īlso read: HBO pulls ‘racist’ Gone with the Wind. It was meant, above all, to be an entertainer, a purely commercial, mainstream Bollywood romance. This is not to say that other movies, even before it, did not address feminist issues in a much more direct and, I dare say, strong, manner.
#Dilwale dulhania le jayenge movie#
It’s worth remembering that this movie was made in the 1990s, so accusations about tone-deafness must be contextualised in that time period.
The two don’t fall in love immediately either, they grow to know one another, see each other’s quirks, flaws, often apologise for them.Ĭritics have also pointed out that the film bows down to patriarchy - centred as it is on waiting for Simran’s Bauji to give her hand in marriage to Raj, and Simran lacking the agency to do anything without being led or permitted by a man. Raj is never meant to be perfect - he is a rake, a Casanova, and openly so. Dilwale Dulhania Le Jayenge | Yash Raj Films Twitter naysayers do not recognise that while these scenes certainly do make one cringe, they are meant to paint flawed, but human characters. His cruel prank was then followed by gaslighting her for having thought of him as a “ ghatiya kism ka awara ladka (a crude, good-for-nothing loafer)”. īoth scenes are obviously unacceptable now (frankly, even my preteen self in 1995 was confused as to why an Indian girl’s izzat is located in her vagina and whether Raj implied that non-Indian girls have no izzat). He then tells her it was all a prank and that he merely put her to bed and nothing more happened, because he is a Hindustani boy, and knows the value of a Hindustani girl’s izzat and would never even dream of sleeping with her without her consent. The second contentious scene is the one in which Raj pretends he and Simran slept together after she got completely drunk one night, and she, horrified at the thought that she lost her virginity this way, starts to cry.
He then goes on to embarrass her by making a production of returning her bra that he had accidentally sat on after her suitcase had burst open, and gets too close for comfort. He persistently flirts with her, even though she makes it clear she isn’t interested. First, the one in which protagonists Raj Malhotra (Shah Rukh Khan) and Simran Singh (Kajol) meet for the first time on a train in Europe. So, dear woke Indians, please stop ruining DDLJ with your 2020 vision.Īlso read: From DDLJ to Dil Chahta Hai, Bollywood has one act to thank - that one tight thappadĬriticism of the movie typically focuses on a few scenes. And honestly, that tune lives in your mind rent-free. Most criticism of the film fails to acknowledge the many things it got right. It was a product of its time, and busted many stereotypes about the ‘Westernised’ NRI and the ‘obedient Indian wife’, that were prevalent in 1995. But even a flawed movie can be enjoyed, and DDLJ, for all its flaws, is still deeply enjoyable. Such articles have been written multiple times over the years, and honestly, it’s a little tiresome. But so were articles on how, in 2020 (hindsight, if you will), the movie hasn’t aged well, and is in fact cringeworthy, outdated and unwatchable. But, I am amazed that they love Chutki so much I can’t thank people enough for giving Chutki a place in their heart, mind and memories.This week marks the 25 th anniversary of Dilwale Dulhania Le Jayenge or DDLJ - the longest-running movie in the history of Indian cinema, so of course, its cult dialogues and songs were shared all over our social media. In fact, I had thought that people would only remember Kajol and Shah Rukh Khan. I am proud to be associated with something that was made with so much love, hard work, passion and magic, and am touched to be a part of Indian cinema’s history.
It showed women travelling alone and a teenager (her character) spouting sermons to the family. In many ways, ‘DDLJ’ was ahead of its time. Back then, we didn’t expect that it would be running 25 years later. Today, I just want to be grateful and remind myself that something really wonderful happened 25 years ago. The actress says, “It’s hard to match the love this film has received. As ‘DDLJ’ completes 25 years today, Pooja Ruparel, who played Chutki (Kajol’s sister), reminisces about the movie. ‘ Dilwale Dulhania Le Jayenge’ (‘ DDLJ’, 1995), one of the most successful films in the history of Indian cinema, is also among Bollywood’s iconic romances.
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